Night For Day

by Christopher Warren

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    Subdued artwork by designer Dan Bryk of Urban Myth Collective. Unique accordion booklet of lyrics.

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1.
SAY YES, SAY YES! Dragonfly hovering by pine top in Muskoka sky while I just lie on my back trying to take it all in For three hun- dred million years they have hovered there and here since long before we were a gleam in anyone's eye Don’t even try to guess how long they have been here or before we all will be gone Sunshine rays on my face through the needles makes my heart race, and I can’t quite place where I begin and the universe ends Where it will start, when it will end is anyone’s guess Instead of no, only say yes only say yes Moon on river cricket sing and I’ve got this crazy feeling that I could survive just about anything: There’s no magic in this, no illusion or sleight of hand Only the heart making its normal demand Just pretend to have God’s eye or the sight of any fly Look down on you as if from the dragonfly’s point of view Sometimes survival trumps happiness Instead of no, only say yes Only say yes!
2.
SHED YOUR DREAD Lately you’ve been brooding dismally dreaming of novel ways to occupy yourself, alternatives to love. Avoiding posted warnings you shuffle down Memory Lane: all the ruts and all of that congestion, well you only have yourself to blame Frowning at your mirror, you’re strangely reminded of Picasso’s final portrait of himself, terrified of death Put that thought away now you’re younger than he ever was Besides it’s so demeaning to subject yourself to such banal analysis Listen carefully: you’ll hear the rattle of your desiccated dreams rolling around with a rhythmical sound a gourd full of old has-beans; rolling around with a rhythmical sound a gourd full of old has-beens. Where’s that crazy demon to whom you deny parole? Can’t you show some mercy on your own incarcerated soul? Shed your dread and monkey, tread on some smouldering coals Once you felt a kind of holiness but now you feel only full of holes Once you felt a kind of holiness now you feel full of holes Let the band strike up a hot mazurka Loosen up your tie and pants Let yourself go like you did long ago it’s time to get out and dance
3.
TUSCANY STONE She taps her fingers on a counter of Tuscany stone while down along the lane, the barber is humming a tune The monkey on the windowsill is swaying in the sun the scent of orange blossoms drifts through the clothes on the line Her contours are austere, she fills her space gradually Her almond eyes are clear as she listens expressionlessly: the abbey bells are summoning the nuns encloistered there: they may ring at any hour And when they do all must endure Here comes the knife sharpener hs bell goes clang clang clang Children watch him: They don’t say a thing So many men have fallen in love with a version of her a skirt of simple cotton some rumour that they overheard She hooks her hair behind an ear and bends toward the fire to light a cigarette for the man who is not there. Now slowly zoom out from her, the monkey, and the town. The end. till we meet again.
4.
SOME DISASSEMBLY REQUIRED Their movements are resolute, intentions are shuddering. Reserved conversation collapses to sputtering. They’re not asleep but they seem to be sleepwalking still. Yesterday’s argument in their minds muttering Some indefinable future is fluttering It’s like a butterfly: colourful, clumsy and small Some disassembly is required More necessary than desired Pulling apart what has rusted together And razing the house so it can be rewired Their voices are steady, their spirits are stuttering: how can housecleaning seem to be so cluttering? There is a history to every cup, candle and card They’re on a rocking horse, flogging it mercilessly. Inching over the bedroom floor The flame that sustained them is languidly guttering half-felt apologies quashed before uttering Neither is right and neither’s entirely wrong Some disassembly is required more necessary than desired Pulling apart what has rusted together and razing the house so it can be rewired
5.
THE DAY THE PLANES ALL STOPPED The day the planes all stopped the animals thought mankind had finally come to its senses. But it wasn’t so—oh no. The birds relayed the word through the animal world by fence and branch and field and wire, singing we’d become like them. One day we’ll hang in a museum, and though they try they’ll never guess: the cause of our complete extinction was--simple PETTINESS. It was not long before that familiar roar began to fill the skies all over. And fires sprang up on the earth. We’re busy patching up that hole that human kindness used to dribble through. Our pettiness will have to guide us till we learn how birds muddle through: one simple rule (from nest to dust), that gravity is a law that must be disobeyed at any cost. The day the planes all stopped the animals thought mankind had finally come to its senses. But it wasn’t so. Oh no.
6.
Ambiguity 03:46
AMBIGUITY Are you stupid? Are you blind? Are you just so feckless you don’t know your mind? How can I persuade you? Should I even try? The weeks have stretched into months and I wonder why I wonder why Ambiguity isn’t new to me returning love with no design But if there were another, more resolute lover, you’d come running with a contract in your hand, saying: I’m staying But would I sign? Now it’s morning: you see that sun? Maybe by the nighttime we'll both be gone.
7.
DISMANTLED BY AN IDIOT I got an email from a friend in Mississauga. It said you’d died a lonely man in California. You were so dark, but the world is darker without you in it without you in it Your reaction to a eulogy would be a hollow laugh Your world unravelled but this world is a psychopath, who’s will’s inviolable, who’s heart’s undaunted that war’s never over because no one really wants it The lunatics have seized control and thrown the warden out They kicked the exits open with a wild, triumphant shout And here we kneel incapable while field and river burn: They murdered almost everyone; we’re waiting for our turn Most poets die before their bodies stop breathing Thinking too deeply, after all shows poor breeding. But you were probably the kind of guy who thought the party started at the moment you left Somnambulic zombies we’re blindsided by pornographies and phoney realities (that’s what you get on your TVs) And so it goes that we are systematically Dismantled by an idiot I got an email from a friend in Mississauga It said you’d died a punctured man in California
8.
Carry On 04:36
CARRY ON Everyone seems to be lonely now it’s catching like a flu Well I hope I don’t get it from you But there I go—projecting on the rest of the human race Maybe I’ve got too much time to think— the alternative’s too hard: what a drag watching TV isn’t a job Watch the notch between your eyes deepening with all the shit you go through Life’s a series of accommodations to things you’d rather not do Maybe I’ll call my friend Jessica— we’re not as close as we were, but we talk (at least once) every ten years Flares occasionally go up to show you where you are Carry on as the wagons burn Carry on as the widows yearn Carry on there is still so much to learn Sometimes I wonder if spirits age in heaven or in hell And if so, do they age well? I don’t envy Jesus Christ at all: it must be a tedious job to keep all those demands straight in your mind Are we meant to be clear of memory mind and consciousness-free? Forms appearing and disappearing blind, quite anonymously? Souls congregate over these lines that don’t even exist Carry on as beliefs collide Carry on through this deicide Carry on till there’s nowhere left to hide Carry on so what if God paused? Carry on through this holocaust Carry on even though your cause be lost.
9.
Lego Town 02:42
LEGO TOWN Filling the night with sound ‘cause there’s really no one around here down in Lego Town The streets are empty now everyone’s staying in An assortment of ragamuffins listens to my musical din Ain’t no shame: only a rapture Down here there is no sin: let everybody in and let it all begin Let it all begin And when the morning mists clear I will still be here waiting for you, darling, down here in Lego Town in Lego Town in Lego Town in Lego Town
10.
RIDICULOUS MIRACULOUS I seen you in your Canadiens sweatshirt in the sun You were so not aware of what a babe you were I don’t have words to say it right but you looked really good You really looked... real good I don’t mind the missing teeth you don’t mind that I’m a thief We both beat real bad odds Ridiculous Miraculous I clutch you in my arm I lost the other one to my buddy’s hunting gun— and if I fucked around on you you’d tear the other arm off too I love you now, I always will I would not have a clue who else could love me but you I know I’m not real bright, I never do what’s right but what else can I do? I used to think I was a loser until I seen your Daddy’s Girl tattoo Improbable Unstoppable I don’t have to get drunk to be with you I love you at least that’s what they call it where I’m from
11.
Simple Grace 03:05
SIMPLE GRACE Rubber balls on concrete walls skipping ropes on gravel paths Things unsaid bills unpaid candlelight and Epsom baths So the time flows by and you bob like a paper boat Moon and star bug in jar showing everyone your scar Minding store wanting more no further now you’ve come this far Like a lonely wolf that howls at a pregnant moon on a hill surrounded by unseen eyes Your past lies like a broken car abandoned on an empty street You drive by from time to time with a vague sense of defeat But you move on, there’s some- one to meet You see your children sleeping and somehow you forget the panic of passing time the illusion of the closing net: Just the simple grace of their eyelids and their face as their dreams convey them to some warm place Rubber balls concrete walls skipping ropes on gravel paths
12.
IF I FORGET THEE I only have me to blame Can’t blame you, I can’t blame time If I should forget that I’m Still in love with you I thought I’d outgrown you Without really knowing you The seed that was sown grew Still in love with you I used to say, “Who loves you?” You’d say, “Only you.” But both of us know that that Is not exactly true The sea that caresses you The sun that undresses you The moonlight that kisses you Are all in love with you Still in love with you You’re dancing alone in moonlight Upon your balcony Your dancing alone enhances The moon’s intensity There’s suffering in your eyes Though humorous, kind and wise I never could realize What I felt for you Still in love with you Still in love with you You’ve been alone while I’ve been Making other plans Soon I’ll return and then We’ll resume the dance Still in love with you Still in love with you Still in love with you
13.
Little Flame 03:22
LITTLE FLAME Why do we lose that incandescent fuse? We have it in our youth, before we pay our dues Try to be unborn, a perfect, shapeless form drifting in your dream, beneath the human game No shame, no time, no place to be just a little flame Be not just a tomb for dead regret and blame but make your mind a womb, to house the little flame And when you feel it grow, you will know yourself again

about

Night For Day was never more relevant than now, with its “sometimes survival trumps happiness” and How We Were Dismantled by an Idiot. Like his late compatriot Leonard Cohen, Warren’s words span the world and penetrate the heart. His songs are an antidote and a mirror to the anxiety and complexity of our times, somehow conveyed in words with a haiku-like precision. Rare appearances by Mary Margaret O’Hara are featured on two songs. Ron Sexsmith joins Warren for a duet on Simple Grace, a song reminiscent of Lennon/McCartney at their most whimsical. The Day the Planes all Stopped, responding to 9/11, has only grown in relevance and irony. Night for Day is the work of a master songwriter, driven by compassion for the world while driven to distraction by the craziness of it. “Carry on,” he sings, “though beliefs collide, carry on through this deicide, carry on till there’s nowhere left to hide.”

credits

released March 2, 2014

Chris Warren: guitars, vocals, violin arrangements. Ryan Granville-Martin: drums and percussion. Michael Herring: upright bass. Drew Jurecka: violins and viola. Jack Breakfast on keyboards. Stacie McGregor: acoustic and electric piano. Produced by James Paul.

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Christopher Warren Toronto, Ontario

Wise, funny, sad, joyful, astute, Chris Warren is a songwriter whose words span the world but whose voice speaks heart to heart. A literary songwriter, he brings words with the sophistication of a Leonard Cohen to a melodic scope reminiscent of Elliott Smith or Elvis Costello. Warren has created a body of work that speaks urgently to our times and to you. ... more

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